Selected Poems from Our Call for Submissions
The Stones Talk it Over
Nancy Thomas
… if they keep quiet, the stones will cry out. Luke 19:40
All was quiet on the street and in the city hall. Why are they silent? a small rock asked a boulder. Why don’t the people praise God? Don’t they see what we do? Doesn’t the light from the northern skies strike wonder, ignite fire in their bones as it does in ours? Beats me, said the boulder. Let’s sing.
Salt
Nancy Thomas
You are the salt of the earth. Matthew 5:13
A grain of salt is too tiny to be of use, but when joined with other grains an energy compounds, a sharpness emerges. Even so, salt doesn’t draw attention to itself. Sprinkled or poured out, the focus shifts to the object of its intention—the roast, the potatoes and carrots, even the chocolate cake. No one relaxes after a good meal and says, Wasn’t that salt delicious! I am a hidden ingredient for making this world a sensually marvelous place.
Nancy Thomas spent 30 years serving the church in Latin America. Her main ministries were in theological education and training Latin American Christian writers. She and her husband are now retired and living in Oregon. Nancy has published several poetry collections, the latest being Close to the Ground (Barclay Press) and The Language of Light (Fernwood Press).
But Now
Casey Mills
bringing music down from you, I first ascend through the breaking of the day and spend some time as we work a melody shape words until they sing with holy resonance then tiptoe to the edge of a moving cloud dive head-first back into this chaos of brambles we must walk each day, but now with a song
Casey Mills writes poems early in the morning while his kids sleep. He lives in Northern California next to a creek he enjoys spending time with. His poetry has been published in California Quarterly, Tule Review, Heart of Flesh, Amethyst Review, Calla Press,and elsewhere.
The drive to find a color so perfectly blue could not so easily be turned off *
Nadine Ellsworth-Moran
Tekhelet was lost but not unknown, forty-nine times it appears: Exodus, Ezekiel, Numbers, Chronicles, Jeremiah, it’s woven into holiness, used to stitch the seams of David’s heart— blue so translucent it could not be described, mystery turned experiment of pigment and dye, chemical reactions falling short of divine, falling in approximation of prayer— knotted fringes of prayers shawls, holding prayer knotted into words. Unexplained mounds of shells discarded, snail shells, exoskeletons of prayers, heaped on shores by ruins of dying vats, the blood of snails, exposed to light, inked prayers offered to the sun, turn biblical, transform— the history of blue comes to fruition, to fruit, to bear unbearable blue so pure it can only be lost in the mix of mudsweat of devout prayers unequal to its magnanimous presence— velvet of evening against sand that scrapes flakes of tekhelet sky into its waiting, open mouth.
*Title and inspiration for poem from: Tarnopolsky, Noga, The Bible described it as the perfect, pure blue. And then for nearly 2,000 years, everyone forgot what it looked liked, LA Times, September 10, 2018.
Nadine Ellsworth-Moran lives in Georgia where she works in full-time ministry. She hopes to continue listening closely and writing about the shared experience of life in these times. Her poems have appeared in Valiant Scribe, Structo, Theophron, Rust + Moth, Thimble, Spiritus, Emrys, Kakalak, and The Wild Word, among others. She shares her home with her husband and five unrepentant cats.
Nadine Ellsworth-Moran lives in Georgia where she works in full-time ministry. She hopes to continue listening closely and writing about the shared experience of life in these times. Her poems have appeared in Valiant Scribe, Structo, Theophron, Rust + Moth, Thimble, Spiritus, Emrys, Kakalak, and The Wild Word, among others. She shares her home with her husband and five unrepentant cats.
Poems to God #151
Alan Altany
Slogging through doubts
standing naked & alone
facing icy-hot rogue waves
breaking against my soul,
a fire in a deserted desert
waiting on the night flower
to bloom in darkest light,
waiting on God to dispatch
my atheistic & putrid ego
in its degenerative inertia
spiritual gangrene & sloth,
waiting for the revolution
exploding old distractions
in empty echoing tombs,
waiting for the patient God
who created & sustains me
to revive my flailing faith
immersed in a saving flood
through a beautifully absurd
resurrection of Christ’s blood.
Alan Altany has a Ph.D. in religious studies (University of Pittsburgh) and is a semi-retired, septuagenarian professor of Comparative Religions at a small college in Florida. He founded & edited a small magazine of poetry (The Beggar’s Bowl) and has published three books of poetry for a series, Christian Poetry of the Sacred: A Beautiful Absurdity (2022), The Greatest Longing (2023), and Intimations (2024). His poetry has been published by Tipton Poetry Journal, Beltway Poetry Quarterly, Valley Voices, Sand Hill Literary Magazine, The Hong Kong Review, North Dakota Quarterly, Montreal Review, St. Austin Review, and others.
Address
alan.altany@gmail.com
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Tree Frog
Tricia Gates Brown
fugitive of summer absconded to the damp of a cup holder under my hot tub lid. a tree frog vulnerable as a membrane, wary as a stowaway, greening the grey of the tub. as days pass and water evaporates, I ladle drops from the cup of my palm, prolonging our communion. afraid for a tiny frog so weak in this season of heat waves, seeking precisely what it needs, attentive, its eyes blinking under my watchfulness. but this fugitive of summer does not move from my wet cupholder.
Stay in it
Tricia Gates Brown
At evening as my husband naps I am drawn outside to walk through streaks of shadow or to seek the burnished fields, or Eloise the Calico so I can carry home her purring body, so I can fall asleep knowing she is safe within the walls of our farmhouse. That hour’s stillness makes me want to forget all that has gone wrong between neighbors, all that threatens to annihilate bird river whale, the fruiting the pollinating our bodies rely on, the goodness we are called to rise to— as in, “rise to the occasion.” Rarely can I even cry for the world. Instead, I weep for my friends—my cancer-ridden, cash-poor, heartbroken friends. Evil, that enervating abstraction. Who can abhor an abstraction? To stay in it, my heart must break precisely. My heart must know their name.
Tricia Gates Brown’s poetry has appeared in Portland Review, Christian Century Magazine, and Friends Journal, among other publications; and her debut novel Wren won a 2022 Independent Publishers Award Bronze Medal. By trade, she is an editor and co-writer, mainly working for the National Park Service and Native tribes. Her first poetry collection is forthcoming from Fernwood Press in Spring 2025; her second, in 2026. She holds a PhD in theology from University of St. Andrews and writes a column at Patheos on “religion, doubt, and why they matter.” For fun, she makes art.
Clouds Over the South
Mark James Trisco
a muzzy blanket of dark gray clouds shrouds the world from horizon to horizon as the leaden rain pounds against our windshield the sun’s strength, its light diminished hides behind the clouds, concealed and weak while the wipers flip-flap, failing to clear our view we are on a road trip from Florida to Minnesota returning from the warmth of a southern summer to the biting winds of a northern spring through the heart of Dixie and the land of Shilo battlefields filled with ghosts of civil war and slavery and the poor living in broken-down, shanty towns and on the way, we waste our priceless time counting hundreds of white pickup trucks and church steeples and cows and cemeteries on each side of our car we drive through flooded streets with crippled creeks overflowing their banks and washing over the blacktop of backwater roads and we journey past massive crosses built of shining metal, 120 feet tall and higher reflecting the ashen colors of the overcast sky symbols signifying the power of faith and forgiveness and a promise that we will be redeemed regardless of our history or the sins of our ancestors the weight of our soul cannot be measured with bullets and stones or flesh and bones it cannot be quantified or calculated or somehow discovered through scientific analysis it has no gravitational force or mass yet it has significance, it has power and dominion it feels heavy when we harbor the poison of anger and hate and light when we bestow our love unto others and like the clouds over the south, our souls are sometimes filled with sadness and regret but also, with the sustaining water of life and the sure belief that on the other side we’ll find the vital sun
Adrift
Mark James Trisco
Above me is a great-winged bird soaring listlessly across the sky banking, catching the persistent drafts that come up from the ocean bay I am trying to swim in concert with it an inferior imitation, a mockery languishing on my back as I stroke weakly towards the too distant shore its striated feathers are long and spread luminous black and tawny brown with a white head too small for its immense body and a curved beak like a Roman nose I feel frail and fragile in the water below as I watch it flying back and forth for what seems like hours, without once flapping its wings or struggling to stay aloft tilting and circling from beach to horizon and back again, buoyed by the breeze languidly, lazily lifted by the faithful wind while I wrestle with the current wandering, adrift grappling with the muscular water that doesn’t fight back, but acquiesces a predator that accepts its nature giving way, turning aside swallowing the weak and the feeble drawing them down to the depths is it the same for the flyer above am I an old, white whale of prey in its eyes splashing, kicking spouting streams into the air or am I lost in the white-capped background of azure and teal and iridescent green and I ask myself, as I look for direction, for deliverance is that a vulture that I see, or could it be a phoenix
After retiring recently, Mark James Trisko heard his muses yelling loudly in the night, begging him to let their voices be heard. His work has appeared / will appear in Valiant Scribe Literary Journal, Spirit Fire Review, Amethyst Review, As Surely As the Sun, The Penwood Review, St. Katherine Review, and Austur Magazine. He currently lives in Minnesota, with his beautiful spouse of 47 years, four wonderful children and eight above-normal grandchildren.
