You Can Be My Supernova
Robert Baker
Don’t ask me why, but I find it pleasing to know that our bodies are made up of heavy, complex molecules not originally of this world. I have recently learned, my darling, that these complex molecules where not a feature of the big bang. That mysterious phenomenon made only light molecules helium, hydrogen, all those things over to the left on the periodic table. To produce heavy molecules it is necessary to have heat, enormous heat, far hotter than the surface of the sun. We defy imagination! After much bewilderment astrophysicists determined that the only source of this much heat in the known Universe occurs when a supernova explodes ferociously as it collapses into a black hole. That’s you and me baby. Full of atoms from one of the most mysterious forces in the Universe. The more I understand the more I look in awe and wonder at what His hand hath wrought. and often time I find myself humming along to the song inside my head How great Thou art. How great Thou art.
Bobby Steve Baker is a writer and photographer in the Ozarks of Northwest Arkansas. He has published widely in five countries. His latest book of poetry and photography is This Crazy Urge To Live by Linnet’s Wings Press.
A Warm Yawn
Eileen Grant
I like your eyes your spherical skies your luminous, numinous, blueminous eyes I like your nose how wayward it goes how lenten weather renders it rose I like your hair that nest up there deceptively golden, a bedtime prayer I like your chin sparse stubble, so thin silly result of original sin I like your hands when they make demands point with two fingers, I’ll follow your plans you like her lips I hate my hips opening to face your apocalypse your eschaton when I am gone bury me in your mouth after a warm yawn
Eileen Grant is a writer. Her poetry and prose has been published in The Veg, Chouette, Squid Literary, and McSway. She only drinks hot chocolate if it has whipped cream on top.
The House that Built Us
Leslie Williams
Roughly one third of American adults have made a return visit to their childhood home —Psychology Today I’m trying not to be seen pocketing horse chestnuts from the yard (not stealing, not exactly) before going softly on my way. New ownership has wildly taken root—fire pit, tree swing, dogs mid-leap, bicycles ready on car’s roof—in my day I could never engineer how to bust out from beige and airtight dining room (floors hardly scuffed in forty years) to a more exuberant being, but now I see how near You were to me, preparing, always waiting in the hall where I became my longing to be Your handiwork—stepping forward, drawing back, letting feasts fall from the table. Within those walls this hunger, given.
Leslie Williams is the author of Matters for You Alone (Slant Books, 2024), and two previous award-winning poetry collections. Her work has appeared in Liberties, Image, America, The Christian Century, Kenyon Review, Poetry, and elsewhere. She’s a recipient of the Robert Winner Memorial Award from the Poetry Society of America, and Individual Artist Grants from the Illinois Arts Council and the Massachusetts Cultural Council.
The Altar Call
Do I have to?
Do I have to?
Laurie Klein
Here we stand, mildly coerced by the hired consultant: Form a circle, please—as in, let’s ace these games and keep our jobs. Shoulder to shoulder. Just per-r-r-fect. A stifled snicker, my crooked shrug. Big exhale: a-h-h-h . . . Who will volunteer she means, her smile so well-meaning, to enter the center first, muster the last micron of blindfolded nerve, then keel over backwards? I’m busy, assessing the office weather: George, our rookie who quakes when braving the whiz-bang copy machine; Joon, paper jam wrangler, eying Ray, espresso-run czar. Plus me, and my tears muddling barista froth in concentric hearts that day the program crashed for the ninth time, when we all stepped up, leaned into something unseen ghosting among us. Now, before we hear Step right up, there’s still time to recall a ring of disciples, and Peter, facing the basin and towel, his naked wish to belong, with all his mates seeing his need. Fierce as mine? Oh, how unforced, even comic, the going down.
Laurie Klein is the author of House of 49 Doors: Entries in a Life and Where the Sky Opens (both from Poeima/Cascade). A grateful recipient of the Thomas Merton Prize and Pushcart nominee for poetry as well as prose, she lives in the Pacific Northwest.
Lifting the World
Daniel Thomas
The rubble of lives in distant places,
assailed by bombs, fires, ill-will,
and right in this neighborhood
people crumpled on sidewalks,
collapsed on bus stop benches
or stained cardboard beds.
When daylight sinks like a lead
diving helmet, when the last
birds offer their songs
to the deadened air, when night
finally bestows a wary
sleep, stars deploy
their long silver ropes,
drop them down to earth,
so this massive realm—
trees, oceans, skyscrapers,
mountains—dangles on filaments
of light—the groaning world
lifted, carried, swung—
a pendulum of distant fire,
a shining fueled by each
small act of kindness, the seed
within the too-ripe fruit, the grace
in each torn seam.
Daniel Thomas’s third book, River of Light, is forthcoming from Shanti Arts. His previous books are Leaving the Base Camp at Dawn and Deep Pockets. He has published poems in many journals, including Southern Poetry Review, Nimrod, Poetry Ireland Review, Amethyst Review, Still Point Arts Quarterly, Vita Poetica Journal, Atlanta Review, and others. More info at danielthomaspoetry.com
Daughters of Eve Obdurate
Douglas Talley
Family night, and we ask the children to help plant flowers around the house. While blue sky yields to pink and gold— shadows chasing Ohio evening to sunset— we spread moist, pungent mulch on the beds, dirty our hands and fingernails in black earth, trace a dark sentence on the face scratching a cheek or swiping a bee from the forehead. First hole dug, my wife asks our four-year-old for a potted peony, and tapping her trowel on the casing to drop it from the balled roots, says finally, Now . . . let’s place her in the hole. Why, our daughter asks, Why did you call the flower a “her”? And her mother replies, Because flowers are girls. In less than a blink of thought, our daughter understands, nods to inescapable logic, And weeds . . . weeds are boys. That’s right, says her mother, since the dawn of time. “Really?” I say. “Weeds are boys? That’s reductive.” It’s her age, you insist, channeling more mystical than postmodern for now. Besides, it’s gospel. Last time I read, Adam introduced the thorns, not Eve. None will find this notion in any translation, but few riddles of the old books have persevered as long.
Douglas Talley received BFA and MFA degrees in Creative Writing and a law degree. He worked in private practice for several years before joining an insurance consulting firm. His poems and essays have appeared in Cimarron Review, The American Scholar, Christianity and Literature, and other journals. In 2011, a first book of poetry, Adam’s Dream, was released by Parables Publishing. His wife is a novelist, and they are the parents of seven children and twelve grandchildren.
Exploded
John Vigren
The best that I could do is in the ditch. The life I worked so long to build clatters by on a barrow. I cannot say it matters just where I left the road for the trees, or which it was. I count an hour in breaths, and grope a string that runs through smoke to God knows what. My steady nausea turns a week, which starts to feel like a distance that I’ve run. Like hope. A feather-whisper seeing those years (years!) extinct calls this the gentlest way God could have shown how far I was, and tugged me near. Be little. Shelter. Sweating in the wood, I pile up stones to praise the Father-storm that struck my eyes with a truer, hurter warm.
Johnn Vigren’s poems have appeared in Cider Press Review, Poems for Ephesians, Ekstasis, and As Surely As the Sun, and have won the (Canadian) Christian Publishers Poetry Prize and Utmost Christian Rhyming Poetry Prize. He lives in New Jersey with his wife, Elizabeth.
Berries
Michael Dechane
Florida’s heart and soul isn’t Disney. It’s cattle and row on row of squash berries and beans. I am no farmer, but there is a growing love I have found for a field I noticed as I was driving inland on the highway past Plant City. Morning light the color of a ripening kumquat, confused in a rising ground fog, lit the field and its green fencerows, breaking my expectations of the ordinary unspooling beyond my windshield. Rows and furrows appeared. Then the beds were made up with their long sheets. I never would see anyone working there, but each week as I passed by, I found more work was done. Red, full, but invisible today from the road, I knew the strawberries were in. Twenty pickers, each back hard bent with shirts a dozen colors, as paint dabbed to dot that ripened slope of farmland stooped to their aching work as I sped past. Even now, the glimpse of them attending thankless to the sweetness for other mouths helps me, humbling my words into dust.
Hollyhocks
Michael Dechane
After three months of blossoms the seven-stalked hollyhocks growing rogue in the sidewalk outside the corner church under the unblinking gazes of Saint Francis and his dove — finally they will die, I thought. Surely summer rot is ready for its turn onstage. Once more, beauty has done its worst to our cold reserves of death. Bluebells and buttercups, what more could color find to say in our depths? Well, the forsythia gashes and the morning squeals yellow-yellow-yellow bloom. Won’t you leave the stony face of my heart alone? No, the hollyhocks seem to say today in a new undone dozen white and fuchsia flags taut and flown with such verve they make that granite bird sing out as I walk by.
Michael Dechane is the author of The Long Invisible (Wildhouse Publishing, 2024). His work has appeared in Image, Spiritus, Tar River Poetry, Lake Effect, and elsewhere. He and his partner are owner-custodians of a home built in 1900 in a cove forest on the French Broad River north of Asheville, NC.
Birth Order
Susan Shea
Big brother memories have been shooting through me one unselfishness at a time like meteors released into my soft space since you told me you have been catapulted into the territory of diagnosis you look at me with those big brown eyes that have been my fixed moons and I cannot stop wanting to cry out and get you out of this muddled milky sway of black holes and exploding stars where all your generosities don’t seem to carry any weight at all in the family of the scheme of things
Road Runner
Susan Shea
I am fist-fighting those negative thinkers this morning, waiting to hear results of my brother’s tests trying not to squeeze into the chair he will be sitting in when life and death will be charted out for him with the dainty uncertainties of timelines and detours I would much rather be making a call to the trumpet blower I would like to become wile e coyote enough to convince him to blow the blasting thing loud right now so that we can all just stop chasing each other looking for new leases on life instead, let us show up now in front of that lovely gate stand together transformed ready to announce that the poor in spirit have arrived ahead of time
In the past year, Susan Shea made the full-time transition from school psychologist to poet. In that time, her poems have been accepted by publications that include Invisible City, Ekstasis, MacQueen’s Quinterly, Feminine Collective, Amethyst Review, Green Silk Journal, Flora Fiction, Agape Review, The Write Launch, The Gentian, Across the Margin, October Hill Magazine, Litbreak Magazine, Beltway Poetry, Foreshadow, and others. She grew up in NYC and now lives in forest in Pennsylvania. Her work was recently nominated for Best of the Net by Cosmic Daffodil, and for a Pushcart Prize by Umbrella Factory Magazine.